Here is a great article by Stratford Caldecott.
It was Henri de Lubac's earlier conception of the nature-grace relation that could be said to have necessitated the detailed working-out of the relationship between divine and human freedom we find in the Theo-Drama. The implications of this change extend also to social theology, for it was precisely the separation of nature from grace that deprived the Christian faith of its worldly cutting edge. If grace is not merely "grafted on" to nature but is permitted to shape it from within, the creativity of God's people is unchained, and theology can again help to inspire cultural innovation, whether it be in painting or in economics...
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